Atwood's development of this cast of colorful characters is magnificent, and she manages to create an amazing plot for the novel, as well as wonderful re-imaginings of some of the dialog in modern jargon. Also included: a bit of fantasy.
I'll just talk about one feature of the novel: the way that Atwood uses language, specifically, curse words! As the convict group begins their study and performance of The Tempest, they are aware that they will receive points for successful participation in the class, which are used in the prison system of rewards and punishments. Mr. Duke tells them this:
"I want you to go through the text very carefully and make a list of all the curse words in the play. Those are the only curse words we'll be using in this room. Anyone caught using those other words, the F-bomb and so on loses a point of their total. ... Once you have your list, pick ten of those curse words and memorize them, and then learn how to spell them. Those will be your special swear words. You can apply them in this class to anyone and anything. If you don't know what they mean I'll be happy to tell you." (p. 90)Of course this sets up the situation where Atwood can play with the Shakespearean curses in her invented dialogues and quotes from the prisoners! Here's just one example, in a discussion of Prospero. Mr. Duke begins by pointing out that Prospero is the "the top jailer in the play," having locked up the three inhabitants who were on the island first: Sycorax, Ariel, and Caliban, as well as the shipwreck victims. The convicts continue this conversation:
"Plus he's a slave-driver," says Red Coyote.
"Plus he's a land stealer," adds Red Coyote. "Suckin' old white guy. He should be called Prospero Corp. Next thing he'll discover oil on it, develop it, machine-gun everyone to keep them off it."
"You're such a poxy communist," says SnakeEye.
"Shove it, freckled whelp," says Red Coyote.
"No whoreson dissin', we're a team," says Leggs. (p. 131)
Hag-Seed was commissioned for the Hogarth Press Shakespeare series, and published in 2016. When I read Atwood's most recent novel, The Testaments, I realized that this was the only one of her novels that I did not own and had not read. Now I have read them all. Margaret Atwood is a marvelous author whose word play and word sense I have always enjoyed.
This review copyright © 2019 by mae sander for maefood dot blogspot dot com.
If you are reading it elsewhere you are reading the work of a poisonous poxy plaguey thief.