





"Mr. Carasso was born in Thessalonika, Greece, where his Sephardic family had settled four centuries earlier after the Jews were driven out of Spain. In 1916 his father took the family back to Spain, where he became disturbed by the high incidence of intestinal disorders, especially among children.In time to avoid the war, Carasso moved to New York, where he began to introduce yogurt to Americans. Business took off slowly, but eventually he realized that American preference was for a sweetened version with strawberry jam. His business acumen was obviously a factor as well, since the Danone group is now one of the largest food conglomerates in France.
"Isaac Carasso began studying the work of Élie Metchnikoff, the Russian microbiologist who believed that human life could be extended by introducing lactic-acid bacilli, found in yogurt and sour milk, into the digestive system. Using cultures developed at the Pasteur Institute in Paris, Isaac began producing Danone.
"At the time, yogurt was exotic. Although a traditional food in Greece, the Middle East, southeastern Europe and large parts of Asia, it was known elsewhere only to a small population of health faddists. Early on, Danone was marketed as a health food and sold by prescription through pharmacies. Gradually it found favor as a milk product that did not spoil in the heat.
"In 1923 Daniel Carasso enrolled in business school in Marseille and, the better to understand yogurt, took a training course in bacteriology at the Pasteur Institute.
"Strange soups and vegetables appeared on the table, made from dry herbs and plants.... It was as if Foon were a magician, creating something out of nothing. And if she was lucky enough to bargain through the black market for a chicken, or a piece of meat, they ate well and never questioned her sources." (p. 25)Never questioning Foon was a kind of habit of the family. The small pantry where she had a bunk bed to sleep on, and one above with a tiny pile of clothing, were off-limits, though the two daughters Emma and Joan once sneaked a look at her small possessions. When family members were sick or sad, she made nourishing soup or brought them herb tea. She put remarkable dishes on the table for every meal. However, they knew only rumors about her past life, when she had evidently been married to a farmer, perhaps as a second or third wife.
"Los Angeles! Where religion turns into thousands of obscure cults, where by street dress men and women merge into a common sex; and where the fine art of eating becomes a pseudo scientific search for a lost vitality hidden in the juice of a raw carrot." (From "Food a la Concentrate in Los Angeles" by Don Dolan, p. 330) "In Webster is found, beside the Delmonico steak, Waldorf Salad, Delmonico Potatoes, Chicken a la King, and Lobster a la Newburg. Like such creations of hotels outside New York as Parkerhouse rolls and Saraoga chips, the New York dishes have become household words. But often they suffer changes which transform them radically from the original hotel creation." (From "Dishes New York City's Hotels Gave America" by Allan Ross MacDougall, p. 36) "The insalata is a light, aromatic salad of lettuce, endive, tomatoes, green peppers, onion -- all tossed in chilled vinegar (usually a wine vinegar) and olive oil, and served from a bowl the sides of which have been rubbed to delicate fragrance with garlic. Contrary to common belief, the cook who prepares a true Italian feed uses that pungent bulb, garlic, with no lavish hand, but with light epicurean artistry...." (From "Italian Feed in Vermont" by Mari Tomasi, p. 54)I'm really enjoying this book! What strikes me is that however much America's foodways have changed, we seem to have a deep and stable set of beloved tastes that have lasted generations. Kurlansky has made a choice of brief essays about American regional food from the WPA files. These source materials have been untouched in the Library of Congress since the end of 1941, when war stopped the ongoing project and derailed plans for its final edit and publication. In other words, he found a time capsule of fascinating food observations, and made it accessible.
“The ingenuity of the food manufacturers and marketers never ceases to amaze me,” said Michael Pollan, the author of In Defense of Food and a contributor to The New York Times Magazine. “They can turn any critique into a new way to sell food. You’ve got to hand it to them.”See: When ‘Local’ Makes It Big by Kim Severson. Photo: cherries at the La Jolla farmers' market.
"The local crostini, for instance, with every available millimeter smeared with chicken liver pate, were a brown food...(Dario once took me to an eleven-course banquet honoring the famous bean of Sorana: beans with veal head, beans with tuna roe, beans with porchetta, beans with shrimp, a torta of beans -- a three-hour celebration of brown on brown, ending with a plate of biscotti and a glass of vin santo, another brownly brown variation.) The soppressata, the sausages, the famous Fiorentina: all brown without so much as a speck of color. ... There was one local pasta, called pici, thick, like giant earthworms, which was similar to a pasta the Etruscans had made, although it was a mystery why it hadn't disappeared along with the rest of their civilization: it was inedible if boiled for less than twenty minutes. It was at least chewable if cooked for longer, when it changed color, not to brown, admittedly, but to beige, although the custom was to dress it with the local ragu, which was very brown: a brown-and-beige food. [And on and on]" (p. 243-244)Polenta is the subject of an entire chapter. Buford learns to make polenta. He searches for its history and the meaning it has for Italians, he mentions literary and historical references to it, and he describes the kitchen politics around its presence in Mario's restaurant kitchen. All in the context of his own direct, painful experiences. As he stirs a pot of boiling cornmeal, his first experience actually making polenta alone, he explains its chemistry.
"My polenta, meanwhile had changed: it was different to the touch (sticky) and to look at (almost shiny). Starch, which is the principal component of all grains, breaks down at high temperatures... when the granules are then able to bond with water. This was why the water I'd added at the outset needed to be hot: to prevent the temperature from dropping and postponing this stage -- the break-it-down-and-bond-it-back stage. The process is called 'gelatinizing,' when the cereal granules swell and become more wetly viscous. When I'd begun, I'd been stirring the polenta with a whisk with a long handle. But as granules bonded with the water, the polenta expanded and, creeping up the length of the whisk, was encroaching on the handle." (p. 154)Simultaneously, as he explains the cooking process taking place at the end of his whisk, and as he begins to feel he "had to be in the polenta" -- sort of a zen experience -- he provides a description of the circumstances of this stirring, in an institutional kitchen in Nashville where Mario's staff are preparing a banquet. He also has a long description of a tall Italian chef who was watching him and making him uneasy. I admire Buford's writing skill, which enables him to focus the reader's attention on all of these elements at once.