Maybe you can hum the tune of “Meet me in St. Louis, Louis, Meet me at the Fair,” a popular song from 1904 about this very famous event in St. Louis history. Visiting the Art Museum this week while I was in St. Louis has made me think about the history of St. Louis as I learned it in elementary school in a suburb of St. Louis where I was born. By the way — no one who comes from St. Louis pronounces it “Looie” the way the song does.
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A view of the statue “Apotheosis of St. Louis.” (Don’t you love the little dog that was walking in the park?) |
The statue “Apotheosis of St. Louis,” was designed by sculptor Charles Henry Niehaus in 1904 for the World’s Fair. Niehaus made the original of plaster along with other statues to decorate the elaborate temporary fairgrounds; it stood at the entrance to the Fair. After the Fair was over, the Exposition Committee that had been responsible for the Fair commissioned St. Louis sculptor W.R. Hodges to make a bronze cast of the statue as a permanent symbol of the city. In its current location it was dedicated in 1906. I remember seeing it there all my life! Niehaus’s interpretation of King Louis has several anachronisms, such as a sword that wouldn’t have been invented until several centuries after the life of the subject.
The River
Going back to St. Louis always makes me think about what I learned in school! A few years ago, I read a book titled The Broken Heart of America: St. Louis and the Violent History of the United States by Walter Johnson (published in April, 2020). This book made me rethink what I learned in school. For example, in my review of this book — which I called “I am ashamed” — I wrote this:
“Even the famous Louisiana Purchase Exposition -- that is, the 1904 St. Louis World's Fair -- embodied the pervasive racist practices of the time in employment and other areas. The ‘anthropology’ of the fair involved bringing specimens of humanity to the fairgrounds where dark-skinned natives were kept in the largest human zoo in history. They served fair-goers as an example of the progress and civilization of the American way and of the supposed backwardness of the non-white races. I learned a lot by reading Johnson's account of this underlying reality -- and inhumanity -- of the fair.”
George Washington Carver
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Life-size bronze of Carver by the late acclaimed African-American sculptor Tina Allen of California. |