Showing posts with label Art and Artists. Show all posts
Showing posts with label Art and Artists. Show all posts
Sunday, August 02, 2026
Saturday, July 25, 2026
Thursday, April 23, 2026
Night and Day
Overnight to London
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| Detroit last night: waiting for the overnight flight to take us to London. Despite having expectations for a pleasant flight, our seats were uncomfortable and the food was icky. |
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| Heading out of Heathrow Airport by taxi to our hotel in London. If blogger and web access will allow me to do it, I’ll be posting more as our trip continues. |
The National Gallery, London
Tuesday, February 24, 2026
Easter Island History
Mike Pitts’ history of Easter Island (Rapa Nui) and how it was understood and misunderstood was published January 27, 2026. |
This book is an effort to correct the errors that have accumulated. It’s interesting, though the author frequently offers more detail than an ordinary reader like me might want to absorb. In 1994, a popular film titled “Rapa Nui,” produced by Kevin Costner increased general awarenes of the island. In 2005, a popular book summarized the island’s history: Collapse: How Societies Choose to Fail or Succeed by Jared Diamond. I think this book will contribute to the overall understanding of the island’s history.
| Photo advertising tourism to Easter Island. |
Beginning in 1722, when the first European ship stopped at the island, the enormous sculptures by the seemingly primitive inhabitants fascinated voyagers, including the famous Captain Cook and many others. One historic fact that I found very sad is that early explorers noted a variety of birds on the island, but now there are far fewer species — or so says the author.
The Movie “Rapa Nui”
If you are intrigued by historic mysteries, you might enjoy Mike Pitts’ book. And though I haven’t seen the movie, I found a review written in 1994 by critic Roger Ebert, who wrote:
“Rapa Nui” slips through the National Geographic Loophole. This is the Hollywood convention which teaches us that brown breasts are not as sinful as white ones, and so while it may be evil to gaze upon a blond Playboy centerfold and feel lust in our hearts, it is educational to watch Polynesian maidens frolicking topless in the surf. This isn’t sex; it’s geography. …Concern for my reputation prevents me from recommending this movie. I wish I had more nerve. I wish I could simply write, “Look, of course it’s one of the worst movies ever made. But it has hilarious dialogue, a weirdo action climax, a bizarre explanation for the faces of Easter Island, and dozens if not hundreds of wonderful bare breasts.” I am however a responsible film critic and must conclude that “Rapa Nui” is a bad film. If you want to see it anyway, of course, that’s strictly your concern. I think I may check it out again myself.
Labels:
Art and Artists,
British Museum,
Easter Island,
history,
Polynesia
Friday, January 30, 2026
Horror Show in Minneapolis
Signs and Marches
Artists’ Visions
Sources of this Art in Minneapolis
It’s very wrong of me not to credit each art work and photo, but I don’t have time and I want to share these important insights. Here are the sources:
https://www.fastcompany.com/91481771/minneapolis-protest-art
https://www.uuworld.org/articles/ice-march-photos-unitarian-universalism
https://www.fastcompany.com/91480108/these-clever-anti-ice-signs-are-taking-over-minneapolis
Thursday, January 15, 2026
Overwhelmed by the Renaissance
A not-quite reading success…
“Every day of our lives we’re targeted by at least one lie about history.” (p. 25)
“The plague is as important as the Mona Lisa to our effort to understand this Renaissance, both terrible and great.” (p. 193)
“When you zoom in on a moment in the past, it’s always (A) messier than you thought, and (B) includes more women.” (p. 234)
“If you know only one thing about Savonarola it’s the Bonfire of the Vanities, the Renaissance’s darkest hour (nope), a mass book burning (nope) and art burning (nope), invented by Savonarola (nope) to exert the stifling force of Church and Faith against the broadening of art, science, and thought that he hated (still nope).” (p. 291)
“ I’ve looked through one of Galileo’s telescopes, it’s in Florence, and realizing it’s less powerful than the plastic Hamburglar binoculars I once got in a McDonald’s Happy Meal filled me with new awe that a cunning mind armed with the right questions can get a long, long way with simple tools.” (p. 570)
My Reading
I only managed to sort-of-carefully read the first 500 pages of Ada Palmer’s tome Inventing the Renaissance. I scanned the rest. It’s much much too long, and it has a number of flaws, the main one being that it is precious in the sense of being affected and self-congratulatory. Worse yet, it’s constantly offering rather ordinary and boring bits of the author’s autobiography — mainly about her experience as a graduate student and her students’ reactions to the subject matter.
Inventing the Renaissance manages to cover several hundred years of humanist thought, to define many concepts, and to provide sketches of the accomplishments of dozens of thinkers of the age and many patrons of these thinkers. I’m a fan of Leonardo da Vinci, Isabella d’Este, Michelangelo, Lucrezia Borgia, Pico della Mirandola, Niccolò Machiavelli, several members of the Medici family, Benvenuto Cellini (“the Florentine goldsmith-sculptor-assassin-jailbreaker-necromancer”), and so on. It’s interesting to read a not-so-critical view of Savonarola. But eventually the level of detail seems brutal, especially when one’s boredom is amplified by details of the author’s academic career.
Of course the book provides a huge dose of historic narrative, character studies of many Renaissance figures, summaries of philosophical narratives, introductions to the major thinkers and interests of the age (both famous ones and obscure ones), a bit about the politics of art works like Michelangelo’s Sistine chapel, and much more. At the end, there’s even a brief history of printing — which in my opinion deserves more prominence: the author characterizes the introduction of printed books as “an information revolution: not new technology (we’re on the Gutenberg-type press until the nineteenth century) but a distribution network revolution.” (p. 587) I felt that her view was weak.
Unless you are a glutton for an extreme level of detail about obscure points, and unless you are a fan of the author’s fascination with her own life and academic achievements, I strongly doubt that you would enjoy reading this book. And although I have in the past immersed myself in some of the biographies of the same individuals featured here, I found it horrendously dense and challenging to follow, which is not a compliment. I say: leave the reading of this academic stuff to the professionals!
Thinking of Famous Art in the Renaissance
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| I enjoyed the art history, such as discussion of Michelangelo’s slaves. |
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| Michelangelo: The Sistine Chapel. One of the most amazing mural paintings in history: the book has interesting historical info about this art work and its creator. Shared with Deb’s Sunday salon at Readerbuzz. |
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Leonardo’s portrait of Cecelia Gallerani, mistress of Ludovico Sforza, the Duke of Milan was painted when Leonardo was “sent there by Lorenzo de Medici as something between an ambassador and a gift for his Sforza allies.” (p. 326) The ermine is shared with Eileen’s Critters!
Blog post © 2025 mae sander
Photos of art works from Wikipedia
Labels:
Art and Artists,
history,
Leonardo da Vinci,
Michelangelo,
Mona Lisa
Sunday, January 04, 2026
Weekend
Coffee, Wine …
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| We tried a new coffee shop in Saline, Michigan, down the road from Ann Arbor. It’s Ok, not great. |
| The coffee cups are upbeat. |
| Jam omelet at home |
Reading
History Article in the Guardian
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| Putting the new mayor and his political party in historic context is interesting. It’s more interesting to me because one of the currently-living people mentioned is someone I knew. |
Photos © 2026 mae
Sunday, December 21, 2025
Last Day of Chanukah
| Saturday night was the seventh night of the holiday. Sunday evening we will light eight candles (plus the one used to light the others). |
| Sunday morning on the shortest day of the year. The sun struggles to rise over our neighbor’s house. The lights of Chanukah are sympathetic magic: one more each evening to coax the sun to stay longer. |
| Alice’s plants are enjoying a brief moment of sunshine in our living room while she is traveling. |
Chanukah Murals
“Israeli graffiti artist Dudi Shoval delivers a powerful message through a mural created in the wake of the Bondi Beach Hanukkah massacre.” (link)
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| Recent work by an Israeli muralist (from Facebook).. Shared with Sami’s Murals. |
Chanukah Mural After a Shooting 5 Years Ago (link)
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