When I have a bit of time, I've been reading a novel set in Israel titled Three Floors Up by Eshkol Nevo, published in Hebrew in 2015 and in English in 2017.
Three Floors Up takes place in a three-floor apartment building in Tel Aviv. I am surrounded by similar buildings of various heights, but full of people that I imagine to be similar to the families in the three stories in the novel: one for each floor of the building. Each story is told by one person, as a confession, because each character is experiencing a kind of personal (and maybe existential) crisis.
The first story, by a husband and father on the first floor, is told to a friend who is a novelist, as a desperate confession of some very irrational behavior towards a neighbor, triggered by fear of the well-being of his 9-year-old daughter. The second story, by the mother of two children on the second floor, is a letter calling for help from a long un-contacted friend who had supported her during an adolescent crisis. Finally, a retired woman court judge, who lives on the third floor, records messages on an answering machine where she finds a message from her late husband. Though he had died a year earlier, she speaks to him as if he were still alive and referring to their long life together.
A significant passage from the widow on the third floor to her late husband:
"The Encyclopedia of Ideas helped me remember that the first floor, which he called the id, contains all our impulses and urges. The middle floor is the ego, which tries to mediate between our desires and reality. And the uppermost level, the third floor, is the domain of His Majesty, the superego, which calls us to order sternly and demands that we take into account the effects of our actions on society.
"I hear you asking in that tone of yours, which hints that you know the answer quite well: Is there any proof whatsoever of that theory? Has it been tested, proven scientifically?" (p. 211).You can read the three narrators' confessions as an allegory of the id, the ego, and the superego, but I prefer to see them as three stories of very troubled individuals, not as "types." The internal struggle of each one is emotionally vivid. But besides enjoying the human element of these stories, I found the book to be wonderfully connected to the travel experience I had last week and to my continued stay in Israel in a residential neighborhood like the one where the characters live.
In the final story, the retired judge who is "talking" to her late husband agrees to go on a trip to the south of Israel, where she finds herself on an agricultural kibbutz near the Jordanian border. We went birdwatching on a kibbutz that is no doubt very similar. So I'll end with a few photos of the agriculture and kibbutz life that we saw as we looked for birds.
|A bird on the irrigation system above the fields at a kibbutz where we were birding.|
Surprisingly, the owners seem very friendly to birders.
|We birded in a pumpkin field...|
|And birded in an onion field. A character in the novel was developing a new|
type of bell pepper to grow on her kibbutz.
|Looking across the fields towards the residences and agricultural buildings on the kibbutz.|
|We stayed at guest houses on two kibbutzes. The woman under the tree is|
Krista, who was reading Three Floors Up and told me about it.