|A google search illustrates covers of numerous editions of A Wild Sheep Chase, suggesting how popular it has been.|
I assume there are millions of existing reviews of the novel but I'm writing mine anyway.
The first thing I like is that the narrator of A Wild Sheep Chase is an ordinary man -- he describes himself as "mediocre." His wife leaves him for no really clear reason. His business partner seems to be equally mediocre, and moreover, he drinks too much. The narrator's new girlfriend is ordinary looking except for her totally amazing ears, which she usually keeps covered. She's also kind of ordinary except for a sort of sixth sense about things that plays a big role in the plot. Since the plot is magical, these mediocrities combine with the unreality of the novel to give me a wonderful sense of dysphoria or strange detachment. It's perfect for the genre of magical realism which I think is the correct category for Murakami's fiction.
None of the characters in A Wild Sheep Chase has a name, or at least if they do, we never learn it in the course of the novel. What I like about this is that there's no trouble keeping the characters straight: namelessness seems to require discipline in narrating the novel, which Murakami has. The novel's narrator remarks on namelessness when he's sending his nameless cat with the nameless chauffeur who plays a role in the novel. The two men have a conversation about namelessness. The chauffeur gives the cat a name. The Rat is the tag by which the narrator names an old friend of his -- the closest anyone gets to having a name. There's also "The Sheep Man" and "The Sheep Professor."
At moments of stress in A Wild Sheep Chase, the narrator prepares meals for himself, or eats out with his girlfriend and her beautiful ears. I love novels where food plays a role, and it does here in a delightful and highly-specific way. For example, as he's getting to know his girlfriend, they have dinner in a very expensive restaurant. Between their self-revealing conversation, they order and eat very specific foods such as pâté de foie de baudroie -- a type of fish usually called lotte. The maître d'hôtel shows the narrator the wine label "as if showing me a photo of his only son." The atmosphere of the restaurant is very refined, including Mozart background music. Their conversation is intimate as they get to know each other; each part of the conversation is accompanied by the food. (p. 31-36)
Just before the final wrap up of the suspenseful search depicted in the novel we readers have hopes that we'll learn everything about the strange events of the novel. The narrator and the reader anticipate the final reveal of his stay in an isolated cabin in the wildest part of Japan with winter coming on. As he himself waits impatiently:
"As a way to focus my thoughts, I went into the kitchen to fix some Salisbury steak, I minced up an onion and browned it in the frying pan. Meanwhile, I defrosted a chunk of beef from the freezer, then ground it with a medium blade. The kitchen was what you might call compact, but even so it had more than your typical run of utensils and seasonings...
"Scrambling eggs with a wooden spatula, I tossed these ideas around in my head....
"While waiting for the onions to cool, I sat down by the window and gazed back out at the pasture." (A Wild Sheep Chase, p. 256)Days pass and the narrator's suspense grows as waits in the wilderness for days. Though the cabin has a well-stocked freezer there are no cigarettes, so he has to drink lots of whiskey and eat lots of good food:
"With all this free time, I cooked up a storm. I made a roast beef. I defrosted a salmon and marinated it. I searched the pasture for edible vegetables and simmered my findings with bonito flakes and soy sauce. I made simple cabbage pickles. I prepared a number of snacks in case the Sheep Man showed up for a drink. The Sheep Man, however, never came." (p. 257)The central idea of the novel is that the narrator is forced by mysterious powerful interests to go in search of a mysterious sheep, whose supernatural capabilities may threaten society or the world. The narrator lives in a reality that's not exactly the same as ours. If this were another genre than magical realism, the plot would be ridiculous. The way Murakami creates this strange and other-worldly situation, however, is incredibly appealing. Several of his other novels capture the same spontaneous fairy-tale atmosphere. I love the way he suddenly immerses an ordinary character in an extraordinary imagined reality -- like Alice falling into the rabbit hole. This is why I like Murakami.
|I'm sharing this with Dolcebelleza's Japanese Literature Challenge.|